9/14/2015 - Charles Maxwell

Speaking of Crop Circles: On a past C2C show I recently listened to, Maj Ed Dames said all crop circles on Earth are created by an underground command center on Mars. There is a type of etch-a-sketch panel that enables the controllers to produce a variety of patterns, which they do. But he said, they all originate from Mars, underground. So, there ya go. Case solved! ;)
 
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Speaking of Crop Circles: On a past C2C show I recently listened to, Maj Ed Dames said all crop circles on Earth are created by an underground command center on Mars. There is a type of etch-a-sketch panel that enables the controllers to produce a variety of patterns, which they do. But he said, they all originate from Mars, underground. So, there ya go. Case solved! ;)
Well, THAT just answers EVERYTHING! lol
 
Absolutely. I have the device which was built. And I continue my research. Even though production requested the earliest examples of my provinence, they were not given it. Specifically to maintain my ownership and control. Art never asked if it was Charlies work or mine, he assumed it was Charlies research and went ahead under that presumption. Pretty superfluous for someone that might be considered seasoned. Art was chomping for the meat on the bone which completely blew Charles Maxwells presentation out of the water.
I would love to hear you give us the real skinny on this engine during a show. You said Charles wasn't accurate about the fate of your project. Do you feel that he represented your material poorly? If so, can you tell us how?
 
Speaking of Crop Circles: On a past C2C show I recently listened to, Maj Ed Dames said all crop circles on Earth are created by an underground command center on Mars. There is a type of etch-a-sketch panel that enables the controllers to produce a variety of patterns, which they do. But he said, they all originate from Mars, underground. So, there ya go. Case solved! ;)
It's hard for me to listen to Ed Dames. Very dark, very depressing. His Mars underground statement is kooky as all get out.
 
Charles and
I would love to hear you give us the real skinny on this engine during a show. You said Charles wasn't accurate about the fate of your project. Do you feel that he represented your material poorly? If so, can you tell us how?
Charles and others on the production staff where great but ultimately they did not seem to get the fact that things like this take intensive amounts of time. In their efforts to minimize project expense many very important things were distinctly overlooked. Before I began any work with them, they were made fully aware of the expenses which would be accrued and the time necessary for such an endeavor. Initially they accepted this but as time progressed shortcuts were made in order for them to stay on their time table. When it came down to the brass tacks, the decision was made to forgo critical project elements. Among the exclusions made was the decision to not use klystron or magnetron components because of their safety concerns. Also to be excluded was the use of mercury because of special handling and toxicity issues. Limitations on the amount of voltage used were also a distinct factor because the location was not suitable for this level of undertaking. Finally, the threat that investor funding was to be cut because they did not support my transsexual identity was a major factor. Charles would not have been able to finish the documentary if I had remained onboard. When I was released from participation with the production, Dax Phelan made the decision to strip critical components from the sweet potato device. These elements were primarily the 6000.00 of custom made neodymium magnets and core components of the drives primary mechanism. All equipment which had been procured for the lab in which sweet potato was constructed was sold immediately after my release. To pay for the visit to Nassim and cover the cost of the final edit. I was never fully compensated for my work despite negotiations which did occur. I did ultimately get the stripped chassis of the device back. But it was so badly neglected that a major refit was in order. At that time EGRD made the decision to recycle the remainder of sweet potato ( project 31-D) into ( project 32-A) the Rana device. At this time details of the Rana device are to remain in redaction until such time as is deemed fit. After all why should I care for a planet full of people that have no care whatsoever if any transgender person dies? Why should I care for a planet full of people that profit from war and fear? Why should I care about the well being of others that have absolutely no care for me?

This brings up the final concern in the production of the documentary. The truly spiritual concerns necessary were never even considered as relevant to the documentary as a whole and therefore were for the mostpart excluded.
 
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The Resonance Project, Nassims deal has ignored all communications from myself and EGRD therefore it is our stance that they are not to recieve any research affirmations from us. David Seredas participation was also excluded because during our meeting all he wanted to discuss was Teslas death ray. Discussions with Colin Andrews during the production were probably the best thing to happen during the two year period I was on the production.
 
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The research has at this time has resumed occultus status.
 
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